WE HELP ARTISTS REALIZE THEIR VISIONS
We work collaboratively with artists on projects at all stages – from concept development to project execution to staging and installation.
We work across materials. With our capabilities in ceramic, printmaking, installation, assembly, and project management, we welcome production runs and editions, large-scale fabrication projects, and everything in between.
Further, through our dedicated public art program, the Powerhouse Arts fabrication team specializes in the realization of public arts projects from conception, project management, fabrication, staging, and installation to conservation and deinstallation.
We welcome artists to come to us at any stage of a project – with just the spark of an idea or a fully developed project proposal.
Artists at all levels in their careers and experience are invited to submit their projects. Whether you are familiar with working with fabricators, or it is your first time producing work in a collaborative manner, we’re able to meet you wherever you are.
To work with us or learn more, please tell us about your project by submitting an inquiry form by clicking the link below.
Project intake and fabrication services have resumed in full. We encourage to submit your project inquiries via the button below. A Powerhouse fabricator will be in touch to discuss shortly. Submit Project Inquiries here.
Featured Project
In January of 2022, Nicelle Beauchene Gallery commissioned Powerhouse to screen print portraits for a self-titled solo exhibition by artist Elliott Jerome Brown Jr.
Installation view, Elliott Jerome Brown Jr., 2022. Photo courtesy Nicelle Beauchene Gallery.
Featured Project
In January of 2022, Nicelle Beauchene Gallery commissioned Powerhouse to screen print portraits for a self-titled solo exhibition by artist Elliott Jerome Brown Jr.
Featured Project
In March 2021, artists Aziz + Cucher approached Powerhouse Arts to produce a series of unique prints entitled You’re Welcome and I’m Sorry. The artist duo was initially introduced to Powerhouse through Virtual Consultations where they consulted with Print Director Luther Davis regarding methodologies for translating photography of performance into large-scale prints.
The Hard Sell silkscreen painting by Aziz + Cucher
Featured Project
In March 2021, artists Aziz + Cucher approached Powerhouse Arts to produce a series of unique prints entitled You’re Welcome and I’m Sorry. The artist duo was initially introduced to Powerhouse through Virtual Consultations where they consulted with Print Director Luther Davis regarding methodologies for translating photography of performance into large-scale prints.
Featured Project
Artist Caroline Garcia approached Powerhouse Arts to fabricate the main structural component of The Headless Headhunt, a multimedia installation built to resemble a boxing ring that was commissioned as part of The Shed’s Open Call, on view from June 4 through August 1, 2021.
The Headless Headhunt with augmented reality (AR) text by Caroline Garcia at The Shed’s Open Call. Photography courtesy of the artist and The Shed
Featured Project
Artist Caroline Garcia approached Powerhouse Arts to fabricate the main structural component of The Headless Headhunt, a multimedia installation built to resemble a boxing ring that was commissioned as part of The Shed’s Open Call, on view from June 4 through August 1, 2021.
Featured Project
New York’s Swivel Gallery approached Powerhouse Arts in 2020 to collaborate on producing a print edition for their inaugural exhibition, an immersive, site specific installation entitled PANACEA by Corey Wash that was on view from January 23 to February 28, 2021.
Installation view of PANACEA by Corey Wash at Swivel Gallery.
Featured Project
New York’s Swivel Gallery approached Powerhouse Arts in 2020 to collaborate on producing a print edition for their inaugural exhibition, an immersive, site specific installation entitled PANACEA by Corey Wash that was on view from January 23 to February 28, 2021.
Featured Project
Desiiiire/Diiiistortiiiion and Body/Meat are a series of prints by Rodrigo Moreira produced in 2021 in collaboration with Powerhouse Arts. For this project, Moreira worked with Powerhouse to print photo-collages from two existing bodies of work titled Desiiiire/Diiiistortiiiion and Body/Meat, which amounted to an edition of 15 prints measuring 20 x 16 inches on Coventry Rag paper in CMYK with a gray wash.
Detail digital image of Desiiiire/Diiiistortiiiion for final screen files by Rodrigo Moreira.
Featured Project
Desiiiire/Diiiistortiiiion and Body/Meat are a series of prints by Rodrigo Moreira produced in 2021 in collaboration with Powerhouse Arts. For this project, Moreira worked with Powerhouse to print photo-collages from two existing bodies of work titled Desiiiire/Diiiistortiiiion and Body/Meat, which amounted to an edition of 15 prints measuring 20 x 16 inches on Coventry Rag paper in CMYK with a gray wash.
Featured Project
Sydney Shen collaborated with Powerhouse Arts’s Wood, Metal, and Digital Fabrication team to fabricate a series of large sculptures for her newly commissioned solo exhibition Strange But True at the Queens Museum.
Installation view(s), Sydney Shen: Strange But True, Queens Museum (April 28 - August 22, 2021). Courtesy of Queens Museum: photo credit Hai Zhang.
Featured Project
Sydney Shen collaborated with Powerhouse Arts’s Wood, Metal, and Digital Fabrication team to fabricate a series of large sculptures for her newly commissioned solo exhibition Strange But True at the Queens Museum.
Featured Project
Desiiiire/Diiiistortiiiion and Body/Meat are a series of prints by Rodrigo Moreira produced in 2021 in collaboration with Powerhouse Arts. For this project, Moreira worked with Powerhouse to print photo-collages from two existing bodies of work titled Desiiiire/Diiiistortiiiion and Body/Meat, which amounted to an edition of 15 prints measuring 20 x 16 inches on Coventry Rag paper in CMYK with a gray wash.
Detail digital image of Desiiiire/Diiiistortiiiion for final screen files by Rodrigo Moreira.
Featured Project
Desiiiire/Diiiistortiiiion and Body/Meat are a series of prints by Rodrigo Moreira produced in 2021 in collaboration with Powerhouse Arts. For this project, Moreira worked with Powerhouse to print photo-collages from two existing bodies of work titled Desiiiire/Diiiistortiiiion and Body/Meat, which amounted to an edition of 15 prints measuring 20 x 16 inches on Coventry Rag paper in CMYK with a gray wash.
Featured Project
Artist Liz Collins worked with Powerhouse Arts to create the sculpture Map Key for the exhibition “Wayfinding” at The Addison Gallery of American Art in Andover, Massachusetts. The sculpture is based on a map key that Collins referenced within the Phillips Academy’s Sidney R. Knafel Map Collection, which included European maps, atlases, and documents from 1434 through the 19th century. Map Key is made of wood and papier-mâché, acrylic fabric, wool, silk, screen printed antique linen tablecloth.
Map Key in the exhibition Wayfinding at The Addison Gallery of American Art. Image courtesy of the artist.
Featured Project
Artist Liz Collins worked with Powerhouse Arts to create the sculpture Map Key for the exhibition “Wayfinding” at The Addison Gallery of American Art in Andover, Massachusetts. The sculpture is based on a map key that Collins referenced within the Phillips Academy’s Sidney R. Knafel Map Collection, which included European maps, atlases, and documents from 1434 through the 19th century. Map Key is made of wood and papier-mâché, acrylic fabric, wool, silk, screen printed antique linen tablecloth.
Featured Project
Artist Michael Joo approached Powerhouse Arts for fabrication of QR codes that involved milling carbon, wood, and iron for his exhibition On the Passage… at CLEA_RSKY, in collaboration with the Smithsonian Institute. The QR code is a functional sculpture: when scanned, it leads to an archive of images, artifacts, and information that add layers of contemplation to the installation.
On the Passage… installation at CLEA _RSKY. Image by Ben Cohen.
Featured Project
Artist Michael Joo approached Powerhouse Arts for fabrication of QR codes that involved milling carbon, wood, and iron for his exhibition On the Passage… at CLEA_RSKY, in collaboration with the Smithsonian Institute. The QR code is a functional sculpture: when scanned, it leads to an archive of images, artifacts, and information that add layers of contemplation to the installation.
Featured Project
During a residency in The Kitchen’s building at 512 West 19th Street, Autumn Knight created a new project to be viewed by online audiences. This project merged the artist’s practice of improvisation with new text, choreography, and sculpture that responds to the architecture of the space.
Installation at The Kitchen. Images courtesy of the artist. Photos copyright Paula Court
Featured Project
During a residency in The Kitchen’s building at 512 West 19th Street, Autumn Knight created a new project to be viewed by online audiences. This project merged the artist’s practice of improvisation with new text, choreography, and sculpture that responds to the architecture of the space.
Featured Project
In 2020, K8 Hardy reached out to Powerhouse Arts to collaborate on the fabrication of March, a large-scale, 10 x 6 foot upholstered maxi pad with colorful stains. March is composed of silver infused dimpled bamboo fabric — currently being marketed as a face mask filtration layer.
K8 Hardy, March, 2020, Mixed media. Photography by Joerg Lohse. Courtesy of the artist and Reena Spaulings Fine Art, New York / Los Angeles.
Featured Project
In 2020, K8 Hardy reached out to Powerhouse Arts to collaborate on the fabrication of March, a large-scale, 10 x 6 foot upholstered maxi pad with colorful stains. March is composed of silver infused dimpled bamboo fabric — currently being marketed as a face mask filtration layer.
Featured Project
Artist Bruce M. Sherman commissioned Powerhouse Arts to fabricate a series of ceramic sculptures for a new body of work entitled Infinite Columns. The works reference Brancusi’s Infinite Columns and assert a connection between the earth and the celestial realm in their prominent verticality.
Bruce Sherman, Earth/Heaven Heaven/Earth, 2020. Installation view. Nicelle Beauchene Gallery, NY. Courtesy of the artist.
Featured Project
Artist Bruce M. Sherman commissioned Powerhouse Arts to fabricate a series of ceramic sculptures for a new body of work entitled Infinite Columns. The works reference Brancusi’s Infinite Columns and assert a connection between the earth and the celestial realm in their prominent verticality.
Featured Project
Powerhouse Arts’ Project Management team was hired to install Kenseth Armstead’s Boulevard of African Monarchs, at the corner of 116th Street and St. Nicholas Avenue, in the heart of Harlem described by the artist as “a hub of African excellence in America.”
Detail: Boulevard of African Monarchs, 10’x10’x15’, Aluminum Plate & Shoe Polish, Harlem, NY, 2020. Photo by Liz Ligon
Featured Project
Powerhouse Arts’ Project Management team was hired to install Kenseth Armstead’s Boulevard of African Monarchs, at the corner of 116th Street and St. Nicholas Avenue, in the heart of Harlem described by the artist as “a hub of African excellence in America.”
Featured Project
Artist Leah Raintree approached Powerhouse Arts in 2020 to formulate a glaze and fire works for Clearing, a series of ceramic drawings using found materials from Raintree’s childhood home on a small farm in rural Virginia.
Before Clearing, 2.2, 2020 4 ½ x 9”, iris ash, wood ash glaze, Virginia clay soil on porcelain
Featured Project
Artist Leah Raintree approached Powerhouse Arts in 2020 to formulate a glaze and fire works for Clearing, a series of ceramic drawings using found materials from Raintree’s childhood home on a small farm in rural Virginia.
Featured Project
In 2019 artist Alex Dodge collaborated with the Powerhouse Arts Printshop on his print edition The Only Stars Are In Your Eyes. The print is a seven-color screenprint on Bristol that utilizes an ultraviolet light-cured ink. The UV-cured ink is printed in such a way that it creates a raised surface, such as you might encounter with braille.
Detail View: The Only Stars Are In Your Eyes, March 2019. Courtesy the artist and Klaus von Nichtssagend Gallery
Featured Project
In 2019 artist Alex Dodge collaborated with the Powerhouse Arts Printshop on his print edition The Only Stars Are In Your Eyes. The print is a seven-color screenprint on Bristol that utilizes an ultraviolet light-cured ink. The UV-cured ink is printed in such a way that it creates a raised surface, such as you might encounter with braille.
Featured Project
The Powerhouse Arts Project Management team assembled and installed the first model of Agnes Denes’ Probability Pyramid—Study for Crystal Pyramid from 1976. The sculpture was commissioned by The Shed for the artist’s retrospective exhibition Agnes Denes: Absolutes and Intermediates curated by Emma Enderby, which was on view from October 2019 through March 2020.
Installation view: Agnes Denes: Absolutes and Intermediates, The Shed, New York, October 9, 2019 – March 22, 2020. Photo by Dan Bradica, courtesy of The Shed
Featured Project
The Powerhouse Arts Project Management team assembled and installed the first model of Agnes Denes’ Probability Pyramid—Study for Crystal Pyramid from 1976. The sculpture was commissioned by The Shed for the artist’s retrospective exhibition Agnes Denes: Absolutes and Intermediates curated by Emma Enderby, which was on view from October 2019 through March 2020.
Featured Project
Sarah Crowner was commissioned by the Contemporary Arts Center New Orleans to create a series of six individual tapestry panels for the exhibition, Hinge Pictures: Eight Women Artists Occupy the Third Dimension, which aimed to challenge patriarchal narratives of European modernism.
Sarah Crowner, Sapphire Tapestry, (Parts 1-3), 2019. Exhibition view: “Hinge Pictures: Eight Women Artists Occupy the Third Dimension,” 2019, Contemporary Arts Center, New Orleans. Image courtesy the artist and Casey Kaplan, New York. Photo: Alex Marks.
Featured Project
Sarah Crowner was commissioned by the Contemporary Arts Center New Orleans to create a series of six individual tapestry panels for the exhibition, Hinge Pictures: Eight Women Artists Occupy the Third Dimension, which aimed to challenge patriarchal narratives of European modernism.
Watch our screen-printing tutorial by clicking Play below:
Screenprinting tutorial by Print Team. Shot and edited by Jenn Willliams.