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Learn the basic techniques of the Japanese tradition of woodblock printmaking with water-based inks.

Explore the history and craft of teaware

10 sessions

Push figurative sculpture beyond tradition through imaginative, handbuilt ceramic forms.

10 sessions

Traditional techniques of etching, drypoint, aquatint, and use of hard and soft grounds as well as contemporary methods such as non-toxic photo-etching, viscosity printing, and Xerox-transfer

Traditional techniques of etching, drypoint, aquatint, and use of hard and soft grounds as well as contemporary methods such as non-toxic photo-etching, viscosity printing, and Xerox-transfer

An inclusive and accessible platform for cultural exchange that expands opportunities for artists and their galleries to grow and develop their markets in New York. The fair is curated by Adriana Farietta in collaboration with PHA.

In this class, we’ll get into the practical side of taking care of your work: how to store it, how to handle it, what actually causes damage, and what you can do to prevent it.

This eight week class starts with learning how to make a traditional etching and aquatint print, and then how to use them in order to push the boundaries of those techniques.

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Led by Nandini Chirimar, this discussion-based class will focus on composition principles and critique of both in-progress and completed work.

Our annual day of discovery and creative expression featuring hands-on workshops, demonstrations, installations, and conversations with PHA Print, Ceramics, and Public Arts shops plus MGC Community Print Studio, Workspace11, and The Alpha Workshops, as well as partner organizations, artists, and educators.

Expand your wheel skills through larger forms and multi-part compositions.

Throw functional teaware with a focus on proportion, ergonomics, and tradition.

Push figurative sculpture beyond tradition through imaginative, handbuilt ceramic forms.

In this two session weekend class, students will learn an introductory method for screenprinting a single color repeat pattern on cotton fabric.

A sweeping group exhibition composed entirely of animal sculptures, curated by artist Eric Fischl with PHA President Eric Shiner.

Trace Monotype: The Hard Line explores a non-painterly methodology to making unique, one-of-a-kind prints: using line, hard edges, transparency, and layered passages of color.